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Regular releases - Book of Blood - Cashback - Christmas Miracle of J. Toomey, The - Flock, The - Knife Edge - Land of the Blind  (iTunes) - Madre Teresa - Modigliani (French release) - Modigliani  (Japanese release) - Sorted (Various artists)     Promotional - Amore e la Guerra, L' - Bene e il Male, Il - Broken, The - Cashback - Citizen Verdict - Dot Com - Flock, The - Irish Jam - Out of Season - Selected 2008 (compilation) - Showreel (compilation) - Sorted - Tsotsi - Uomo che Sognava con le Aquille, L' - Wake of Death   TSOTSI: The Unused Score  (2005)     ____________________                                                                                                                                                               Catalogue nr.: - Label: - Format: Promotional Length: 31:01                                                                                                                                                                              1. Rain (1:18) 2. Stolen Baby (1:08) 3. Station Hunt (1:08) 4. Beggar Man (2:50) 5. Ghetto (1:22) 6. Miriam (0:54) 7. Feeding (1:43) 8. Baby Bath (0:59) 9. Broken Dog (3:09) 10. His Name? (0:59) 11. Better be Here (0:51) 12. Stake Out (0:56) 13. Dube Heist (3:21) 14. Losing Aap (1:39) 15. Can I Come Back? (1:44) 16. The Station (0:48) 17. Joberg Hills (1:46) 18. At the Gate (1:59) 19. Mother to a Child (2:22)      Music Composed and Conducted by Guy Farley Musical Associate Adrian Thomas Featured Vocalist Nicola Emmanuelle Recorded and Mixed by Francesco Cameli Orchestra Recorded by Mike Ross at Whitfield Street Studios, London Leader Stephanie Gonley Contractors Cool Music, Ltd. Orchestrator Andrew Pearce Kwaito Programming Pete 'Boxsta' Martin Afrian Flutes Jan Hendrickse Bass Guitar Francesco Cameli Assistant Engineers Drew Griffiths and Alex 'Natty' Modiano Score Produced by Guy Farley at Sphere Studios, London Score Mastered by Ben Fenner at Sphere Studios, London       Note from the Composer: This was my re-score for the producers of the movie and was not part of the commercial release of the film where the first score was used. I'm not sure if you know the full story but in very simple terms the director chose his composers to score the film and fiercely stood by this score. I was commissioned by the producers to write a new score which they attempted to make final but after Tsotsi starting winning awards with the original music there was no way my score was going to have a chance, especially without the directors support. In fact he never heard my score. Commentary: Short unused score for TSOTSI combines 4 elements. The basement of the score lays on numerous ethnic percussions and flutes that are combined with electronic programing, string orchestra and solo voice performed by Nicola Emmanuelle. Some of the cues included on this rare promotional edition (Dube Heist) are based exclusively on various percussive instruments reminding its listeners some of more avantgard writting heard in WAKE OF DEATH. TSOTSI remains to be one of the hidden gems of Guy Farley's discography providing variable listening experience ranging from elegiatic variations of the main theme to more off-beat writing incorporating electronic programming.  Plot Summary: In Johannesburg, the small time criminal Tsotsi is a teenager without feelings, hardened by his tough life. After killing a man with his gang in a robbery; hitting the gangster Boston of his gang; humiliating a crippled beggar along one night, Tsotsi hijacks a car and under the despair of a woman, he shoots her in the stomach. While driving the car, Tsotsi finds that there is a baby on the back seat and the woman was a desperate mother. He brings the baby to his house in the slum and becomes attached to him. For six days, the baby changes his behavior, arousing and developing the sense of empathy and humanity in the cold blood killer.